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Master of Fine Art - National Art School 2024 - Present
Batchelor of Fine Arts at National Art School 2019 - 2021
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Stella Downer Fine Art Group Show 2023
Debut Solo Exhibition - Ditty Wheels Gallery - ‘Through These Rooms We Move’ - 2022
Group Show - Stella Downer Fine Art - ‘Ineffable’ - 2022
BFA Grad Show - 2022 - National Art School
Articulate Space Group Show - 2021
Group Show - 2021 - Goodspace - Treading Water
Group Show - 2021 - Five Point Gallery - Rift
Group Show - 2020 - 50/50 Space - Mardi Gras
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Finalist in Mosman Art Prize 2022
Emergent Program - Stella Downer Fine Art 2022 - 2023
Residency Bamarang - SDFA Emergent Program - 2022
Assistant for Fintan Magee 2022
Gallery Manager Ditty Wheels Gallery 2022
Artwork and mural work for Stan Series ‘Year of’ 2022
Framer at Frame88 from 2015-2018
Gallery Manager at Frame88
Opened 50/50 Space Art Space in Kings Cross 2019
Drew to document the private viewing for the Duchamp Exhibition for the NSW Gallery
Mural work in Marrickville, Crows Nest, Willoughby, Newtown, North Sydney
Artist Statement
Figures and space are my primary concerns. Human bodies communicate so much and placed together in a picture have such a narrative power. I am highly inspired by artists such as Georgia Spain and Edward Hopper for their use of bodies and narrative quality, as well as Wayne Theibauds use of colour.
My figures often look stuck with thick oil stick gridding which is a response to personal feelings of being stuck in spaces that are meant to be safe. I render figures by mixing translucent and opaque paint as the figures move and dance in their imagined spaces.
I am torn between two painting concerns, the narrative and the formal application. Sometimes I create groupings to display people who are undergoing conflict or calm in spaces that feel like they are falling apart, and other times, I just need to see a the line of Ultramarine oil stick or a thick bit of brown oil paint right next to a light translucent. yellow
As said by Borremans, “I am not sure what it is, but I have something to say in these paintings, its been making its way all these years”